一对情侣互相问了一系列问题，这些问题将决定他们是否注定要在一起。

A couple ask each other a series of questions that will determine if they're meant to be together.

A beloved writer-turned-CEO of her own Goop-like lifestyle brand, Prism, must secure a partnership with Singled Out to save her company, but the only way to appease them is for her to write a column on falling in love by Christmas with the help of the charming and handsome photographer who has been assigned to the piece.

A successful career woman, Wang Yan, and her rebellious younger sister, Wang Lingjun, navigate the challenges of city life, including workplace conflicts and complex relationships. Through their struggles, the sisters confront their differences, rediscover themselves, and ultimately find mutual redemption.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Abby, a 30-year-old lesbian, tries to manage her anxiety attacks while working odd jobs and trying to seduce as many women as possible.

Arthur, 15, has a crush on Ouassima, who does not even look at him... While he has never been upset, she goes out with Matt, the handsome kid from college. To get closer to her, Arthur gathers a group of single losers and offers to give them lessons in fishing, at 10 euros per lesson. In the changing rooms of the swimming pool, a long intimate and collective learning begins on "girls and love: instructions for use".

The original intention of the film was that there were four young people who used the lens to record the real life of their grandparents. During the creation process, they learned about the current aging situation in China. There are too many elderly people who lack company. So they decided Use what I have learned to shoot this movie "Everything is Like You". From the perspective of young people, it tells ten stories about "old care, filial piety and respect for the elderly". Their actions have been strongly supported by the older generation of film artists. This shooting is an unforgettable creative journey and a cultural heritage with a mission.